Falstaff, Garsington Opera, Wormsley, review: Henry Waddington gives the most convincing, moving, and beautifully-sung performance

Yvonne Howard, Henry Waddington and Victoria Simmonds in 'Falstaff'

Yvonne Howard, Henry Waddington and Victoria Simmonds in ‘Falstaff’ ( Clive Barda )

 


Capriccio, Garsington Opera, Wormsley, 

review: Ingeniously controlled chaos

Richard Strauss’s final opera is given a perfectly judged new production 

Miah Persson and Gavan Ring in 'Capriccio'

Miah Persson and Gavan Ring in ‘Capriccio’ ( Johan Persson)

 


 


Review: Caroline, Or Change (Hampstead Theatre)

 


Theatre review: Caroline, or Change, Hampstead Theatre

Raw and defiant, this revival of Tony Kushner’s musical sizzles with tension

Carole Stennett, T’Shan Williams and Sharon Rose as the glittering girl-group radio that comes to life in the sultry basement
Carole Stennett, T’Shan Williams and Sharon Rose as the glittering girl-group radio that comes to life in the sultry basement (MARC BRENNER)


Snow White and the Seven Dwarfs review at Mercury Theatre, Colchester – ‘striking design’

Gbemisola Ikumelo, James Dinsmore, Carli Norris. Photo: Robert Workman

Gbemisola Ikumelo, James Dinsmore, Carli Norris. Photo: Robert Workman


REVIEW: Snow White and the Seven Dwarfs, Mercury Theatre ✭✭✭✭✭


Snow White and the Seven Dwarfs Review Mercury Theatre Colchester
Dale Superville, Megan Bancroft, Emily Stanghan, Samuel Knight and the Junior Chorus of Snow White and the Seven Dwarfs. Photo: Robert Workman


Remnants,  The Print Room, review: a visceral study of the impact of war

Patrick Eakin Young's “electro-folk drama” is a potent tapestry of song, electronic music, dance and recorded interviews.

Patrick Eakin Young’s “electro-folk drama” is a potent tapestry of song, electronic music, dance and recorded interviews. CREDIT: RICHARD HUBERT SMITH