Falstaff, Garsington Opera, Wormsley, review: Henry Waddington gives the most convincing, moving, and beautifully-sung performance
Yvonne Howard, Henry Waddington and Victoria Simmonds in ‘Falstaff’ ( Clive Barda )
Capriccio, Garsington Opera, Wormsley,
review: Ingeniously controlled chaos
Richard Strauss’s final opera is given a perfectly judged new production
Miah Persson and Gavan Ring in ‘Capriccio’ ( Johan Persson)
Opera review: Die Zauberflöte at Garsington at Wormsley
The orchestra is carefully blended, the chorus is terrific and the soloists uniformly impressive
Benjamin Hulett’s strongly sung Tamino is all but electrocuted in his bath in Netia Jones’s production (JOHAN PERSSON)
CAROLINE, OR CHANGE TRANSFERS TO THE WEST END
Review: Caroline, Or Change (Hampstead Theatre)
Sharon D Clarke (Caroline Thibodeaux), Ako Mitchell (The Dryer), T’shan Williams (Radio 1), Sharon Rose (Radio 2) Caroline, or Change
(© Alastair Muir)
Theatre review: Caroline, or Change, Hampstead Theatre
Raw and defiant, this revival of Tony Kushner’s musical sizzles with tension
Carole Stennett, T’Shan Williams and Sharon Rose as the glittering girl-group radio that comes to life in the sultry basement (MARC BRENNER)
Snow White and the Seven Dwarfs review at Mercury Theatre, Colchester – ‘striking design’
Gbemisola Ikumelo, James Dinsmore, Carli Norris. Photo: Robert Workman
REVIEW: Snow White and the Seven Dwarfs, Mercury Theatre ✭✭✭✭✭
Dale Superville, Megan Bancroft, Emily Stanghan, Samuel Knight and the Junior Chorus of Snow White and the Seven Dwarfs. Photo: Robert Workman
Remnants, The Print Room, review: a visceral study of the impact of war
Marco Carpegna 